all of my poured paint work has been created in and for interior spaces.
At Forest Hills, I extend this work into the natural world. Using wedges
of wood as supports, I have poured paint down the bark surfaces, allowing
it to pool and congeal on the ground beyond the edges of the wood. The
movement of the paint is influenced by the organic quality of the wood
bark and the earth.
part of my process involves setting up a situation, then allowing other
elements (paint, earth, bark) to assert themselves and to effect the final
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